Copyright newskarnataka
Director Aditya Sarpotdar has addressed the rising criticism over the inclusion of three item songs in his latest film Thamma, which is part of producer Dinesh Vijan’s expanding horror-comedy universe. While the film has performed strongly at the box office, nearing approximately ₹130 crore in domestic collections, discussions around the presence of multiple “glam-heavy dance numbers” have dominated social media and fan conversations. Criticism around the songs In recent days, several viewers and commentators questioned why a horror-comedy that revolves around supernatural elements and character-driven humour required three full-fledged item tracks. Some described the choices as “unnecessary glamour additions”, while others felt the songs interrupted the flow of the narrative. Responding to the discussion, Sarpotdar clarified that the songs were never added solely for hype or to draw attention. He explained that each song served a narrative purpose in the screenplay. “My story unfolds through them,” he said. “These aren’t songs inserted just to add glamour. They are part of how the characters move and the plot progresses.” However, he also acknowledged that item songs naturally become marketing focal points, especially when releasing a film in theatres where wide appeal matters. “Songs are also marketing tools. They help bring attention to the film. But that doesn’t mean we built the film around item numbers. The songs fit organically into the story,” he reiterated. “The same audience enjoyed similar songs earlier” Sarpotdar also pointed out the contrast in reactions compared to earlier films in the universe. He noted that audiences had embraced songs like Taras in Munjya and Aaj Ki Raat in Stree 2 without hesitation. “The same audience celebrated those songs. Nobody questioned them then,” he said. “Now there’s pressure and commentary from every corner. Maybe the frequency is being noticed more. Maybe the conversation has changed.” His comments highlight shifting viewer expectations and a growing online culture where musical choices in films often spark debate. Speculation about Shah Rukh Khan joining the universe Alongside the item-song debate, Thamma has also been in conversation for another reason — rumours that Shah Rukh Khan may join the horror-comedy universe in a future instalment. The speculation began after industry insiders hinted that the franchise was looking to scale bigger and include major A-list stars. Sarpotdar chose not to fuel the rumours, nor deny the possibility outright. “A cinematic universe allows for expansion,” he said. “The possibilities are many. But nothing is confirmed. It all depends on story, timing and vision alignment.” While his response keeps the door open, the director made it clear that no casting decisions involving Khan have been finalised. The larger lens: commercial cinema and evolving audience taste The debate surrounding Thamma reflects a broader shift in how audiences engage with mainstream cinema. On one hand, theatrical releases still depend heavily on song visibility, star value and soundtrack-driven promotion. On the other, viewers are increasingly evaluating narrative flow and thematic consistency, especially in films linked to a multi-film universe. This friction is becoming more visible as franchises look to expand and retain repeat viewership without appearing formulaic. Aditya Sarpotdar’s responses indicate confidence in his creative intentions while acknowledging the noise around the film. As Thamma continues performing steadily in theatres, the discussion around item songs and the future shape of the horror-comedy universe highlights how Bollywood now sits at the intersection of commercial spectacle and audience-driven criticism. The coming months — and potential franchise announcements — will reveal whether the universe moves toward more grounded storytelling, or continues balancing superstition, song and spectacle.
