By Robyn Willis

Copyright smh

It was the beginning of a partnership that would last almost 20 years, propelling Azzi Heras from an aspiring designer who grew up in Sydney’s inner west to an international creative powerhouse.

Martin says her talent was evident from the start.

“I met Silvana when she was very young – she hadn’t even graduated from graphic design at the University of Western Sydney,” says Martin. “What struck me about her was her open-mindedness, creative flair, tireless work ethic, sense of humour, and sophisticated sense of style and culture. And she was a Photoshop whiz.”

Rising to the position of head of design within three years, Azzi Heras’ film credits include set and costume design for Moulin Rouge, Australia, The Great Gatsby and Elvis. She also worked on stage productions such as the Tony Award-winning La Bohème and Netflix series The Get Down, as well as the Chanel No.5 campaign with Nicole Kidman.

“At Bazmark, we very much have a house style, which stems from the overarching aesthetic Baz has developed throughout his films over the years,” Martin says. “Our job as designers within that sphere is to respond to the narrative he wants to tell – whether it’s in a movie, a hospitality project, or a hotel like the Faena.”