To place an obituary, please include the information from the obituary checklist below in an email to obits@pioneerpress.com. There is no option to place them through our website. Feel free to contact our obituary desk at 651-228-5263 with any questions.
General Information:
Your full name,
Address (City, State, Zip Code),
Phone number,
And an alternate phone number (if any)
Obituary Specification:
Name of Deceased,
Obituary Text,
A photo in a JPEG or PDF file is preferable, TIF and other files are accepted, we will contact you if there are any issues with the photo.
Ad Run dates
There is a discount for running more than one day, but this must be scheduled on the first run date to apply.
If a photo is used, it must be used for both days for the discount to apply, contact us for more information.
Policies:
Verification of Death:
In order to publish obituaries a name and phone number of funeral home/cremation society is required. We must contact the funeral home/cremation society handling the arrangements during their business hours to verify the death. If the body of the deceased has been donated to the University of Minnesota Anatomy Bequest Program, or a similar program, their phone number is required for verification.
Please allow enough time to contact them especially during their limited weekend hours.
A death certificate is also acceptable for this purpose but only one of these two options are necessary.
Guestbook and Outside Websites:
We are not allowed to reference other media sources with a guestbook or an obituary placed elsewhere when placing an obituary in print and online. We may place a website for a funeral home or a family email for contact instead; contact us with any questions regarding this matter.
Obituary Process:
Once your submission is completed, we will fax or email a proof for review prior to publication in the newspaper. This proof includes price and days the notice is scheduled to appear.
Please review the proof carefully. We must be notified of errors or changes before the notice appears in the Pioneer Press based on each day’s deadlines.
After publication, we will not be responsible for errors that may occur after final proofing.
Online:
Changes to an online obituary can be handled through the obituary desk. Call us with further questions.
Payment Procedure:
Pre-payment is required for all obituary notices prior to publication by the deadline specified below in our deadline schedule. Please call 651-228-5263 with your payment information after you have received the proof and approved its contents.
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Rates:
The minimum charge is $162 for the first 10 lines.
Every line after the first 10 is $12.20.
If the ad is under 10 lines it will be charged the minimum rate of $162.
On a second run date, the lines are $8.20 per line, starting w/ the first line.
For example: if first run date was 20 lines the cost would be $164.
Each photo published is $125 per day.
For example: 2 photos in the paper on 2 days would be 4 photo charges at $500.
Deadlines:
Please follow deadline times to ensure your obituary is published on the day requested.
Hours
Deadline (no exceptions)
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MEMORIAM (NON-OBITUARY) REQUEST
Unlike an obituary, Memoriam submissions are remembrances of a loved one who has passed. The rates for a memoriam differ from obituaries.
Please call or email us for more memoriam information
Please call 651-228-5280 for more information.
HOURS: Monday – Friday 8:00AM – 5:00PM (CLOSED WEEKENDS and HOLIDAYS)
Please submit your memoriam ad to memoriams@pioneerpress.com or call 651-228-5280.
Mercedes Bryce Morgan’s horror film “Bone Lake” announces itself with a startlingly cheeky opener and closes with a shockingly bloody gore-fest, the song “Sex and Violence” by U.K. punk outfit the Exploited spelling out the thesis of the film for us. It’s about the intertwining of sex and violence, you see. But what unfolds between these naughty, viscera-drenched bookends is less of a traditional horror film and more of a psychosexual thriller, like “Funny Games” played between two, young attractive couples, with a setup borrowed from “Barbarian.”
In the script by Joshua Friedlander, a double-booking of a secluded rental mansion becomes a double date when Will (Alex Roe) and Cin (Andra Nechita) stumble in on the intimate weekend vacay of Sage (Maddie Hasson) and Diego (Marco Pigossi). The couples decide to make the best of it and stay, promising to rock-paper-scissors for the house if anything gets “weird.”
And get weird it does. While Diego and Sage seemed perfectly happy on arrival, the sexy, uninhibited Will and Cin have a way of nosing out their insecurities, finding the cracks in their connection and weaseling their way in. Suddenly, their lackluster sex life is on trial, and Sage’s resentment about financially supporting Diego while he pursues his dream of writing a novel bubbles to the surface.
Like any classic “weekend goes awry” horror movie (e.g., “Speak No Evil”), the female half of the couple catches a bad vibe that her male partner dismisses, due to his vested interest in wanting to stay. For Diego, it’s the promise that Cin will show a sample of his writing to his favorite author, for whom she claims to work. They overlook the red flags, blow off their opportunities to leave and decide to go all in with this wanton pair, drinking, playing games, breaking into secret rooms and dodging sexual overtures from each of them.
Morgan and her cinematographer Nick Matthews make the location interesting and fun to look at, with a saturated color palette and clever camera movements. However, there are scenes where the film is frustratingly dim and underlit, even if it might be justified by the power going out during a storm.
While there’s a certain verve and style to the middle section, where Will and Cin draw in their prey and toy with them like a cat playing with its food, the Grand Guignol climax bears no rhythm or suspense, it’s merely a bludgeoning of the audience with carnage, too much too late.
Also a blunt instrument? Roe and Nechita, who don’t play their roles with any subtlety. Roe’s Will comes off as a dangerous himbo; Nechita’s Cin is an over-the-top minx in her seduction of both Diego and Sage. While Hasson’s Sage is a plausibly strident freelance journalist type, you wonder if she has much experience with female friendship, because Cin’s manipulation is so painfully obvious. Pigossi’s self-obsessed novelist, however, is perfectly pitched in his all-around obliviousness.
There’s a kernel of something quite fascinating at the center of “Bone Lake,” that melding of sex and violence into an erotic thriller/horror mashup that gestures to familiar true crime stories and classic scary movie formulas. But there’s not enough motivation baked into the big third act twist, and the performances just aren’t strong enough to suggest anything deeper.
“Bone Lake” offers up an appealing surface, but it’s just too shallow to get very far.
‘Bone Lake’
2 stars (out of 4)
MPA rating: R (for strong bloody violence, grisly images, sexual content, graphic nudity, language throughout and some drug use)
Running time: 1:34
How to watch: In theaters on Friday, Oct. 3.