Through the eyes of Detective Inspector Liz Nyles (Siobhan Finneran), Protection explores the fraught world of witness protection, inspired by real first-hand accounts from a witness protection officer. Nyles finds herself at the center of a scandal: a breach in security arises when it is exposed that she’s been having an affair with her coworker.
However, there is real corruption within Nyles’ unit, and it looks like she is being used as a scapegoat. In spite of the risks it poses to her safety, Nyles sets out to uncover the truth. In her quest for redemption, she also must maintain the safety of the witnesses under her protection. The series also stars Katherine Kelly (Coronation Street), Nadine Marshall (The Smoking Room) and Chaneil Kular (Sex Education).
When the unthinkable happens to a young girl, all eyes are on the teenage boy who pined after her. Evidence has mounted against 13-year-old Jamie Miller (Owen Cooper) in this newly Emmy-winning series co-created and co-written by lead actor Stephen Graham. Graham plays Jamie’s confused and heartbroken father, and he took home an Emmy himself for his affecting performance.
Each episode in the series is filmed to simulate one long, unbroken take and focuses on a different aspect of the fallout from the crime over the course of a year. We witness Jamie’s arrest, investigations by police officers at his school, an interrogation between Jamie and a forensic psychologist, and the aftermath with Jamie’s family attempting to return to their normal lives amidst tragedy. Bit by bit, we learn more about Jamie’s psychology and whether or not such a young boy could be guilty of such a horrific act.
Alison Woods (Rose Ayling-Ellis) is good at reading people. She has to — born deaf, she’s an expert lip reader who can tell what people are saying from great distances. That’s why she’s recruited by Detective James Marsh (Andrew Buchanan) to help crack a case involving a gang of jewel thieves.
Alison isn’t a professional cop, so when she goes undercover to spy on them, she can’t help but fall in love with the youngest of the gang, Liam (Kieron Moore). Can Alison get the info she needs to help James apprehend the criminals he’s after? Or will her feelings for Liam prevent justice from being served — and put her in danger?
Code of Silence is different from your average British crime mystery. For starters, its lead protagonist is deaf and played by a deaf actress. This adds an interesting angle to an overly familiar story, as Alison has a talent no one else possesses and one she uses to her advantage. Ayling-Ellis is terrific as the in-over-her-head lead, who knows it’s wrong to have feelings for someone she’s supposed to incriminate but can’t help herself. Code of Silence has already been renewed for a second season, so now’s your chance to watch it from the beginning.
If the recently cancelled Doctor Odyssey got a second season, maybe it could’ve had a crossover with The Good Ship Murder, another series set on the high seas. Unlike Odyssey, The Good Ship Murder focuses more on actual crimes than crimes of the heart, as former detective Jack Grayling (Shayne Ward) solves a series of murders on a luxury cruise ship.
Aided by First Officer Kate Woods (Catherine Tyldesley), Jack solves a series of mysteries involving the guests, crew and locals in each port the ship stops in from week to week. When he’s not apprehending criminals, Jack finds time in each episode to belt out a tune thanks to the boat’s local band. More silly than thrilling, The Good Ship Murder is easy, breezy escapist fun that’s perfect to watch in August or any month of the year.
When a man with everything to live for withdraws money from the bank, drops it in a trash can, and then sets himself on fire, it’s at first dismissed as an unusual suicide. But when Patience (Ella Maisy Purvis), an autistic police archivist, notices a connection to other recent suicides, Detective Bea Metcalf (Laura Fraser) recruits her to be on her team to find the culprit. The unlikely duo tackles several cases, including the mysterious death of a bestselling author and a body disappearing from the morgue.
Like Grantchester and dozens of other British crime shows, Patience works largely because of its odd couple dynamic between a veteran cop and a rookie outsider. The mysteries Patience and Bea solve are interesting enough to keep you engaged for an episode or two, and the chemistry between the two leads is terrific. The show also stands out for its nuanced portrayal of a young woman with autism, which isn’t typically seen in the crime genre.
Art Detectives is a new mystery show focused on the Heritage Crime Unit, a police department that specializes in crimes related to the art world. That sounds a bit dry, but rest assured, there are plenty of dead bodies and scandalous secrets just waiting to be discovered.
Detectives Mick Palmer (Stephen Moyer) and Shazia Malik (Nina Singh) tackle cases like elaborate art forgeries, stolen artifacts from the Titanic and, of course, murder. Art Detectives doesn’t skimp on the drama either, with Mick striking up a romance with a charismatic museum curator (Sarah Alexander) and Mick’s father, an infamous forger, complicating the detective’s professional and personal lives.
Art Detectives is already one of Acorn TV’s most popular shows of all time, and for once, the masses have got it right. It’s wonderful, brainy fun, and you don’t have to be an art lover to appreciate it.
Hulu’s dynamic and unsettling four-episode series, Suspect: The Shooting of Jean Charles de Menezes, dramatizes the events leading up to Jean Charles de Menezes’ death. On July 22, 2005, bombing suspect Jean Charles de Menezes was shot and killed by the Metropolitan Police Service at a subway stop in London. It’s quickly revealed that he’s innocent, and the resulting public outcry rocked all of Great Britain.
Looking’s Russell Tovey and The Newsroom’s Emily Mortimer lead the cast as members of the London police force who make a fatal error in judgment, and newcomer Edison Alcaide plays the innocent and doomed Jean. Suspect is a mesmerizing true crime tale that meticulously documents a real event that had a tragic ending.
Those interested in survival crime stories should check out both seasons of Safe House. In the first season, Christopher Eccleston stars as Robert Carmichael, a retired police detective living in a remote part of England. He’s still haunted by the death of a witness he was assigned to protect years ago, so that’s why it’s surprising when he agrees to help shelter a family on the run from dangerous criminals. Robert isn’t happy he’s been brought back in for active duty, but he wants to correct some mistakes he made in his past.
Safe House is an under-the-radar thriller that boasts fine performances and a narrative that’s full of understated tension. Eccleston is terrific as the traumatized detective, and the first season has plenty of moody visuals that are just perfect for a crime show like this one.
The second season has a new cast led by Stephen Moyer and a different story with little connection to season 1. It’s just as good, though, with Moyer showing all the charisma that made him a star on True Blood nearly two decades ago.
It’s been a while since Netflix has had a solid crime drama from the United Kingdom, but that drought is finally over with Dept. Q. Downton Abbey star Matthew Goode plays Carl Morck, an emotionally damaged British detective assigned to lead Department Q, which deals with cold cases no one else can solve. Carl, along with his quirky team of investigators and forensic scientists, must now catch murderers and criminals who have escaped justice for years.
Dept. Q isn’t just a watered-down CSI clone; instead, it’s a surprisingly involving mystery show that cares much about the relationships between its investigators as it does in spinning a good crime yarn. The show features a stellar cast of Scottish and British actors, including Kelly Macdonald as Morck’s well-meaning therapist, but it’s Goode who dominates the show with his haunted detective.
John Chapel (Harry Potter actor Timothy Spall) fears his best days are behind him. A beloved actor best known for playing a popular detective on TV, his retirement has so far proven to be a bit dull and uninspiring. But when John’s neighbor turns up dead, he’s inspired to solve the case himself. He’s helped by Detective Janie Mallowan (Gwyneth Keyworth), who actually has experience solving crimes, and together, the duo solves numerous crimes in and around their sleepy Welsh village.
It’s a classic British crime show set-up, and while Death Valley doesn’t radically change the genre, it pretty much perfects it. Much of the show’s success is due to Spall, one of Britain’s great character actors, who imbues Chapel with enough complexity and charm to make him stand out from all the other English amateur sleuths. The first season consists of six tidy episodes, and the show’s ratings success guarantees it will come back for at least another season.
You can always rely on the British to produce a mystery series worth watching, and they don’t disappoint with I, Jack Wright. The new BritBox show concerns the apparent suicide of the titular character, who manages to surprise his grieving family from beyond the grave by leaving most of them out of his will.
Why did Jack (Trevor Eve) seemingly screw over the family he loved when he was alive? And is his suspicious death somehow related to his decision to leave them with nothing? Jack Wright eventually answers those questions by the time it wraps up its mystery, but the main pleasure in watching this six-episode series is getting to its inevitable conclusion.
What would you do if someone you loved disappeared? That’s what Eliza Blix (Andor‘s Denise Gough) experiences when she picks up her daughter Lucia (Beatrice Cohen) after a sleepover at a friend’s house and can’t find her. She can’t find her friend’s family either, and she eventually discovers that the house was a rental and that no one permanently lives there.
Where is Lucia? And why would anyone want to kidnap her for seemingly no reason? The Stolen Girl is a captivating five-episode mystery series that explores every parent’s worst nightmare. As Eliza, Gough is superb as a mother who is desperate for answers. She may find them by talking to her husband Fred (Jim Sturgess), who knows more than he’s willing to tell.
In the mood for a good, old-fashioned thriller involving the rich and immoral? If yes, then BritBox has another mystery worth watching — and solving. Agatha Christie’s Towards Zero is a three-episode series that adapts the 1944 novel of the same name. Anjelica Huston stars as Lady Tressilian, a rich widow who invites some guests to her seaside property for a house party. When an old family friend is found murdered, suspicion naturally falls on the party’s guests, which include a disgraced tennis star (Oliver Jackson-Cohen) and his new wife (Mimi Keene). Inspector Leach (Matthew Rhys) has his hands full, and he’ll have to act quickly before the murderer strikes again.
Towards Zero is a surprisingly risque adaptation (expect some steamy sex scenes) that is nonetheless largely faithful to the book’s main plot. Huston is fun to watch playing a snobby rich lady with daggers for eyes while Jackson-Cohen is appropriately dashing as one of the suspects.
A fire at a swanky vacation houseboat, a love triangle involving an older man and two teenage girls and a podcaster investigating a person who has been missing for years — none of these things seem related to one another. Yet, by the time The Jetty concludes its superb four-episode first season, Detective Ember Manning (Jenna Coleman) will somehow tie all of them together in a tricky mystery that’s one of British TV’s best of 2024.
Coleman stars as Manning, who must deal with her own personal issues — she’s a widow, and her pre-teen daughter is starting to smoke — while also trying to solve several mysteries simultaneously. Similar to Happy Valley, The Jetty examines violence occurring in a bucolic setting and features a dynamite lead female performance from Coleman.
It’s no spoiler to reveal that Ruth Ellis (Lucy Boynton), the lead character in the new four-episode crime show A Cruel Love, died by hanging on July 13, 1955. Ruth was a real woman who committed a very real crime: She shot her lover, David Blakely (Laurie Davidson), on Easter the year of her death. But what led the nightclub hostess to carry out such a horrible act?
That’s the question behind A Cruel Love, BritBox’s excellent true-crime drama that explores Ruth’s motivations behind David’s murder, the subsequent trial that dominated the tabloid press and her death by execution, which is still the last time a woman was put to death for her crimes in the United Kingdom.
This story has been told before, most notably in the 1985 film Dance with a Stranger, but never as absorbing and detailed as it is here. As Ellis, Boynton is never better playing a woman left with few options in life. The show convincingly evokes a period when scandal could ruin reputations and a crime of passion could captivate a still-innocent public.
Dating apps are the worst, but for Detective Inspector Kat Donovan (Rosalind Eleazar), they could be deadly. When she finds a former boyfriend — who she thought had died over a decade ago — alive, well and looking for love on one of these apps, it sends her down a path that will force her to confront some dark secrets in her past.
Missing You is adapted from the novel by Harlan Coben, an American crime novelist behind several hit Netflix mysteries like Fool Me Once and Stay Close. Missing You offers similar pleasures: a protagonist traumatized by her past, a mystery with several twists and turns and several talented British actors who are largely unknown to Americans. With only five episodes, the series doesn’t overstay its welcome, and the ending is satisfying enough to make you look forward to the next Coben adaptation.
After his wife and daughter die tragically in a fire, Detective John Ridley (Adrian Dunbar) is forced into early retirement following a nervous breakdown. Eighteen months later, he’s back to help his former co-workers, but does he still have what it takes to solve mysteries? And, specifically, the curious cases of a murdered sheep farmer, a dead body that’s found on the moors and a cold case involving the disappearance of a young man 40 years ago?
Ridley is a run-of-the-mill British crime show that’s executed exceptionally well. The show spotlights the pastoral beauty of the English countryside and is just the right amount of moody to be cozy without becoming menacing. Dunbar is excellent as the haunted detective, and his frequent trips to the local jazz club to belt out a tune or two are a welcome wrinkle in an otherwise straightforward procedural.
You don’t become the so-called “Godmother” of the British criminal underworld by being nice. Joan Hannington (Sophie Turner) is a single mother with too many responsibilities and not enough money to handle them all. In desperation, she turns to a life of crime in order to take care of her daughter and her debts. It’s easy for her, since she has a photographic memory and a talent for mimicry. But will Joan’s newfound taste for luxury, furs and jewels be her downfall?
As Joan, Turner gets to flex all her dramatic muscles without the aid of a dragon or a CGI phoenix. Armed with ’80s-era bangs and giant shoulder pads, her Joan is a warrior marching on a different kind of battlefield — one filled with lowlifes whom she can’t really trust. Maybe it’s not that different from her time on Game of Thrones after all.
Murder shows with priests are more common than you think, and they don’t get much better than Grantchester. The long-running series, which began in 2014 and is currently on its ninth season, focuses on the unlikely crime-solving duo of Detective Geordie Keating (Robson Green) and the vicar of Grantchester. Sidney Chambers (James Norton) was the first and best priest/sleuth, but his successors, Will Davenport (Tom Brittney) and Alphy Kotterman (Rishi Nair), are just as likable and dashing.
The show follows a standard formula — someone finds a dead body in or around Grantchester and Geordie and Sidney/Will/Alphy catch the culprit. The crimes are pretty routine and the mysteries aren’t all that complex, but the show’s 1950s-to-1960s period setting is evocative, and the cast is uniformly excellent. You may question the unusually high body count of a sleepy English village, but you won’t regret bingeing a season or two in one sitting. It’s that charming.
No one writes a better crime novel than Alan Conway (Conleth Hill). He knows that, which makes him insufferable. His editor, Susan Reyland (Lesley Manville), puts up with him because he sells a lot of books. But when Alan is found dead and the police deem it a suicide, she becomes suspicious. Alan would never do that — he loved himself too much. But who would end his life? And why?
Magpie Murders has a central mystery that is genuinely intriguing and a cast of appropriately shady suspects. But it’s Manville who is the chief reason to watch the show. She’s one of Britain’s best actors working today, and she’s funny and clever as the nonplussed Susan. A sequel series, Moonflower Murders, was released in 2024, and it’s also worth a look.
Buckinghamshire is one of those quaint English villages where people go for rest, relaxation and maybe a cup of tea. But murder? That’s what retired archaeologist Judith (Samantha Bond), dog walker Suzie (Jo Martin) and vicar’s wife Becks (Cara Horgan) discover one sunny afternoon. But who left the dead body floating in the river? Before the trio can even answer, another corpse turns up. Is there a serial killer on the prowl?
The Marlow Murder Club won’t win any points for realism or originality, but this kind of show needs to be credible enough to be entertaining without anyone bothering to question its logic. It’s a stereotypically “cozy” British crime series in the best possible sense, and former James Bond star Bond gets a rare lead role to showcase her underappreciated talents.
Adam Dalgliesh ranks along with Hercule Poirot and Sherlock Holmes as one of England’s most beloved detectives, yet he’s largely unknown in America. That will hopefully change with Dalgliesh, a new crime series on Acorn TV. Stage actor Bertie Carvel embodies P.D. James’ brainy sleuth this time around, and he has his hands full in a series of mysteries set in the 1970s.
A brutal murder at a seminary, a politically-motivated crime among an upper-class family and a mystery involving an unusual hospital are just some of the cases Dalgliesh has to crack, and Carvel provides enough appeal to make you invested in the detective’s investigations. Like the novels it’s based on, Dalgliesh is more highbrow than your average crime show, but it provides the same thrills viewers expect from the genre. The show just aired its third season in 2024.
A pizza delivery man, Abdullah Asif (Sam Otto), is shot and killed in southwest London, and almost no one seems to care. Detective Kip Glaspie (Carey Mulligan) is the exception and thinks Abdullah’s death is more than just a random act of violence. Her assumption proves to be correct, as Kip’s investigation leads her to uncover a complex web that connects the police, politicians and human traffickers.
Collateral is shorter than your average crime series, but it packs a lot in its four episodes. In her pursuit to find Abdullah’s killer, Kip interrogates members of Parliament, a female vicar with something to hide and several MI5 agents to find out who killed him and why.
With an intelligent script by playwright David Hare and a bravura lead performance by Mulligan, Collateral is a rarity — a politically-minded crime drama that will leave you a bit unsettled after it’s over.